Sweeney's sophomore feature swings from dark comedy to grief to something closer to thriller without ever losing its footing, anchored by a Dylan O'Brien performance that ranks among the year's best.

A film so eager to move you that it forgets to earn it.

Zach Cregger's ensemble horror is a high-wire act of tone that somehow never falls, and it has Amy Madigan to thank for sticking the landing.

Eva Victor's staggering feature debut surrounds its heroine with a world that keeps getting her slightly wrong, and finds its deepest tenderness in the rare moments when someone finally gets her right.

The seventh Jurassic film knows exactly what made the original great, which only makes its inability to recapture it more frustrating.

Joseph Kosinski's racing spectacular delivers everything the summer demands and very little of what this genre can actually do.

Celine Song's follow-up to Past Lives has two of the most compelling screen presences working today and a script that, at its midpoint, decides one of them is too much trouble.